“Growing Pains for me is a statement on how I’ve felt over the last year or so I guess. Trying to figure out who I am as a person growing up. Trying to get the right band together. Trying to make a first record with little money in a time when rocking guitar bands aren’t really in fashion. It’s all kinda been a ‘growing’ in to a reality that I wasn’t totally aware of I guess. I used to get growing pains as a little kid a lot, and my whole situation reminded me of that feeling; me trying to grow into my own body…”
After 18 months blood, sweat, coffee, Back To The Future DVDs and hard rocking pop’n’roll shows, Dinosaur Pile-Up are finally ready to give the world the fearsome debut album it has been waiting for. You might already know the story of Matthew Bigland, and how he founded DP-U from the ashes of seminal Leeds outfit Mother Vulpine (in which he played with Pulled Apart By Horses frontman Tom Hudson). You may remember how after a period dubbed ‘Leeds Best Kept Secret’, the timeless east-coast pop-rock of the demos leaked out into wider consciousness, leading to one of the most frenzied rushes of excitement to greet a new guitar band in recent years. And then you’ll certainly remember how they styled out the hype and the whispers of a ‘grunge revival’ with fantastically infectious debut single ‘My Rock’n’Roll’, which made them one of UK press and radio’s hottest-tipped acts. A second single ‘Traynor’ followed, as did tours with the likes of Pixies, Future Of The Left, and The Automatic, and performances at Bestival, T In The Park and Reading/Leeds; the nascent band cut their live teeth in explosive style. There was only one problem; the world fell so fast and so hard for Dinosaur Pile-Up that they hadn’t yet had the chance to make an album.
Wisely, Bigland chose to retreat. Where an artist with less vision might have rushed out something substandard to capitalise on the buzz, DP-U’s debut had to be perfect. To make things even tougher for himself, he had a singular vision; like his idol Dave Grohl, he was determined to compose and play every single song on the album that would be ‘Growing Pains’. He hooked up with scene production shaman James Kenosha, decamping to his residential studios, The Lodge in Bridlington. There, they spent an intense two-month period finessing the vision and laying down the ideal manifestation of Matt’s vision.
“It was cool,” he remembers, “we had the whole space to ourselves and set it up so all the instruments were pretty much in a big circle in the live room. We’d wake up at 9am, make coffee, and record until 3am solidly. It was pretty exhausting, and with me doing all the instruments and him doing all the recording there were kind of no breaks. Often it would just end up with me running round the room recording different bits of different songs and then singing till my throat hurt.”
The results were worth it though and can be heard all over the crisp, summer-ready songs on ‘Growing Pains’. As band signature tunes, ‘My Rock’n’roll’ and ‘Traynor’ survive to the final cut, but Matt’s songwriting has expanded, spreading out to widen the DP-U canvas. The fizzing lead single ‘Birds And Planes’ sees Matt fly off on a fantasy stream of consciousness that recalls the vintage twisted highs of Weezer and Pavement. ‘Never That Together’ incorporates Berlin-era Beatles into the DP-U vision, and ‘Hey Man’ scales new heights of emotional melodrama, lurching from pin-drop quiet into a huge, lurching grunge beast.
Oh yes, the ‘G’ word, which has followed the band round since their very inception. Nothing wrong with being compared to some of your favourite bands of course, but that isn’t even half the story. Matt best describes his vision as follows; “I guess I’d describe it as equal parts heavy and pop. I love melody so I think it’s pretty ‘sing along’ also. Compared to today’s market maybe it’s alternative? But at the same time kinda heavy, whilst still being kinda pop. I don’t know – Heavy Alternative Pop?? Can I say that? I liked the idea of people to be able to sing along to the songs, even if they were slaying or I’m singing about being hated or upset. I love bands like the Beatles and the Beach Boys so I think a bit of that got in there. I wanted to make a record that kicks people in the face whilst getting stuck in their head. Which for my music taste; so little does either these days. I want to knock people’s teeth out with a riff or a kick beat, but at the same time leave them humming a melody for the rest of the day. If that happened I’d feel pretty happy.”
DP-U has undergone a number of line-up changes since it’s inception, and the band returns with two new faces in bassist Harry Johns and drummer Mike Sheils. Mike replaces Steve Wilson who has since joined Japanese Voyeurs, while Harry (formerly of Old Romantic Killer Band) replaces bassist and long time friend of Matt, Tom Dornford-May, who has taken his musical vision in a new direction.
From the instant ecstatic reaction of anyone who’s heard ‘Growing Pains’ thus far, it looks like Matt is going to be happy for some time to come. It takes a special talent to take so many favourite, yet disparate elements of music and combine them into such a unique, fully formed whole. But that’s exactly what Dinosaur Pile-Up have done. And while Matt will find that the end of one set of growing pains is just the beginning of another set, the satisfaction of getting the record out to the world is a win on every front. “This record means a lot to me obviously, because it a record I’ve been trying to get made for such a long time. Not specifically these songs, but this debut as a whole. And I’m super happy that it’s finally done.”
LIVE DATES
SEPTEMBER
18 Norwich Arts Centre (warm up show)
25 Skipton Culture Shock Festival (warm up show)
OCTOBER (headline tour w/support from Turbowolf)
6 Stoke Sugarmill
7 Wrexham Central Station
8 Liverpool Masque
10 Birmingham Hare & Hounds
11 Exeter Timepiece
12 Bristol Cooler
13 Brighton Coalition
14 Southampton Joiners
16 Sheffield Plug
17 Nottingham Bodega
18 Cambridge Haymakers
19 London KCLSU
21 Manchester Ruby Lounge
22 Crewe The Box
24 Edinburgh Cabaret Voltaire
25 Glasgow Nice N Sleazy
26 York Stereo
27 Leeds Cockpit
When Leeds rockers Mother Vulpine took indefinite hiatus in 2007, bassist Tom Hudson went off and formed Pulled Apart By Horses, who you should know by now to be terrifically noisy and wonderful (or crap, depending on your point of view) of song title, having given us ‘Meat Balloon’ and ‘I Punched A Lion In The Throat’. What’s indisputable is that they’re really really fun. Singer Matt Bigland embarked on solo project Dinosaur Pile-Up, which unfortunately isn’t. Bigland’s a self-confessed Dave Grohl obsessive, and while he employs a full band to play live, he does all the writing and studio playing himself, meaning there’s nobody to tell him that when you take the constituent parts of a Foo Fighters record – primal drumming, over-metallicised twang on the bass, drawly vocals – and don’t add any inspiration of your own, you end up with a Foo Fighters record. Black Rebel Motorcycle Club did much the same thing with the Jesus & Mary Chain – but crucially, today’s teenagers won’t remember the MaryChain, and that way they sell some records. A bit like the Vince Vaughn remake of ‘Psycho’, where the entire film was shot verbatim to the original, just starring different actors – there’s nothing inherently wrong with the plan, but what’s the bloody point?
Multiple broken bones in Sydney, Australia. More than 80 shows in 18 different countries. Playing to 10,000 people at each of Reading and Leeds, opening the Radio 1/NME stage. 2009 has been a busy year, even by Scottish six-piece Dananananaykroyd’s standards and what better way to bid it farewell than their biggest UK tour to date? 
The similarities to Nirvana-isms can be drawn instantly; a grungy rock trio, the foppish mane of frontman Matt Bigland, chunky riffs, punchy percussion, the list is endless. And with the crunching power chords of opener ‘Summer Hit Song’ and ‘Opposite’s Attact’ Dinosaur Pile-Up are pointing so blatantly towards Cobain‘s ‘In Bloom’, if he was still alive, he may well be one eye down. They hold bar with Pavement, Dinosaur Jr, Foo Fighters and Weezer too. ‘Melanin’ is a hooky, monotone Foo’s number after being sedated for some while in a mental hospital. The grungy ‘Beach Bug’ finishes the EP, that in evaluation is full of raw vigour and passion akin fellow Leeds band and mates Pulled Apart By Horses. And its been a year of evolving for this Leeds-based trio writing these spiky grunge numbers that are now elevating them above the ‘New Band’ status that’s been hanging off their coat tails for sometime now. Their lo-fi 90s Seattle college-rock sound reverberates quite profoundly in a dingy college bar with swilled beer on the walls, the only problem is we’ve just got to get ourselves in to witness their visceral onslaught so much the hype that Dinosaur Pile-Up have circling them right now. It’s maybe not the ‘Most Poweful EP In The Universe’ but it packs quite a punch.
`Dinosaur Pile Up` boast that rare thing: the songs to back up an eccentric name, rather like `Bloc Party`, `Franz Ferdinand` and `Led Zeppelin` before them. Apparently, their moniker was inspired by the scene in Peter Jackson’s King Kong where stampeding dinosaurs tumble down a ravine, in a CGI orgy of scales, teeth and claws. If Jackson ever wanted to update the classic monster flick (again) with a more rockin’ soundtrack, he would do well to hook up with DPU.
