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Record Label: Polka Dot Sounds Inc
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Having seduced the saturated J-pop market in Japan with their plastic-wrapped homogeneous pop-by-numbers formula, The Pipettes have set their sights higher and are now poised to take on the World… However, assembling an album merely by twiddling the knobs 2 settings to the left of the pre-loaded, Casio Pop Creator sample-pack default, is not going to make this an easy proposition. ‘Earth Vs. The Pipettes’ struggles laboriously to unite the Sounds of Now; lacking the sparklingly joyous, indulgent pop energy of Alphabeat or the glossy electro-punk synth-porn of La Roux and MGMT, “Vs.” attempts to straddle the two genres but finds very little purchase in either, slipping regrettably into a middling limbo somewhere betwixt. Tepid, wishy-washy generic-pop in the Sophie Ellis Bextor mode.

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Rating: 4.8/10 (6 votes cast)

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Record Label: Vagrant Records
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Fitting snugly alongside the likes of Florence & The Machine, Victoria & Jacob and La Roux; School of Seven Bells’ second album includes some smartly crafted 80′s electro-pop.  Opening with the lead single ‘Windstorm’ (which is reminiscent of Coco Rosie’s ‘Rainbow Warriors’) the tone is set for a sometimes fruitful blend of pop sophistication. This is taken a step further with the superior ‘Dust Devil’, which intertwines thrusting, layered vocals with 1980s drama / danger pop grandeur. ‘ILU‘ follows, with all the hallmarks of a classic pop single. Both sweet and melancholy, this is very respectable stuff and is among the real highlights of ‘Disconnect From Desire’. School Of Seven Bells seem to have tapped into a section of the late 80′s / early 90′s, with ‘Heart is Strange’, the excellent ‘Dial’ and the rather unfortunately titled ‘Babelonia’ . The flat, haunting harmonies of the twins also work especially well on the minimalist, David Bowie Scary Monsters-phase ‘Camarilla’. When peaking, classic acts like St. Etienne or The Cocteau Twins come to mind. But less inventive than, say, the Fever Ray debut of last year, it’s the over-reliance on Stock, Aitken & Waterman style drum machine and 80′s lacquer that is keeping School Of Seven Bells downstream.

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South London synth-pop sensation La Roux are blowing up radio stateside with stunning first single “Bulletproof,” currently at #22 on the US Top 40 airplay chart, the track is making waves nationwide and landed in the top 20 on the iTunes Digital Songs chart. Following up on the immense success of the single, which she performed earlier this year on Ellen, La Roux are thrilled to announce that they’ll be kicking off their upcoming summer dates with the release of Bulletproof: The Gold EP set to hit digitally on May 11th via Cherrytree / Interscope Records.

La Roux will be hitting cities across America this summer; a newly-announced July/August headline tour includes new stops in LA, Philadelphia and Miami, interspersed with some highly anticipated Lilith Fair dates in July.

Performing tracks from their self-titled debut referred to by the New York Times as “…dizzying fun,” the just announced summer tour is set to start on May 30 in Houston at the House of Blues and will wrap in Miami on August 6 at Mansion. Tickets are now available on Ticketmaster.

La Roux’s Summer Tour Dates:

5/30       Houston, TX                      House Of Blues

6/01       Austin, TX                          La Zona Rosa

6/02       Dallas, TX                          House of Blues

6/5         Denver, CO                        Ogden Theatre

6/7         New York, NY                    Terminal 5

7/14       San Diego, CA                    4th & B

7/15       Los Angeles, CA                Nokia Theatre

7/17       Chicago, IL                          Lilith Fair

7/18       Minneapolis, MN            Lilith Fair

7/20       Indianapolis, IN               Lilith Fair

7/21       Detroit, MI                          Lilith Fair

7/22       Montreal, QB CAN           Lilith Fair

7/24       Toronto, ON CAN             Lilith Fair

7/27       Washington D.C.              9:30 Club

7/28       Baltimore, MD                  Rams Head

7/29       Philadelphia, P                                 Trocadero

7/31       Atlanta, GA                         Variety

8/1         Orlando, FL                        Social

8/3         Tampa, FL                          Czar

8/4         Ft.Lauderdale, FL            Culture Room

8/6         Miami Beach, FL              Mansion

Track Listing For Bulletproof: The Gold EP:

Bulletproof (Live at Shepherds Bush Empire, London)

Bulletproof (Tim Bran Mix)

Bulletproof (Tiborg Remix)

Bulletproof (Fred Falke Remix)

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7

Apr

2009

La Roux

By Posted in New Music Radar | No Comments »

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Genre: Electro
Location: London, United Kingdom
Recommended Track: In For The Kill
Recommended Album: In For The Kill EP
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Vigorously bequiffed and with a pointed stare, Elly Jackson -all of 20- already looks like a star. Like many have-a-go-pop-stars her aesthetical outlook is designed to make her sound just like a globe straddling synthstress; vibrant synths flow through the veins of every track. So far so voguish. Beneath the veneer of Jackson’s public identity La Roux are really more of a duo, featuring Ben Langmaid as her studio guide and creative partner.

Their first vault at public recognition ‘Quicksand’ is unfortunately marred by a clumsy similarity to the classic ‘When Doves Cry’ and finishes weakly with Elly attempting some vocal improvisations, ala Beyoncé, but doesn’t commit fully and ends up sounding somewhat meek and self-conscious. No bad thing, except if you’re image is one which tries to convince the listener of pop superiority. Elsewhere though Jackson proves her charm with a cool detachment and intellectual restraint which leeches into her more purposeful vocalisations.

In addition to the production qualities that Langmaid’s obvious pursuit of pop waggishness brings, La Roux often shows, that rarer commodity, meaning and depth in the lyrical content here. ‘Reflections are Protections’ is a prime example of this amalgamation of high and low concernments. Daubed in thick, primary coloured synths the backing track prances along while Jackson asserts “My reflections are protection they will keep me from destruction, my directions are distractions…”

Such commendable efforts give a special insight into Elly Jackson’s character, which is an exciting and unusual thing in the excessively anodyne world of pop music. Interchangeable and feckless as many so-called stars can be (read; Katy Perry) it is an admirable thing that we have on our hands a studious young songwriter aiming for the giddy heights of pop at its engaging best.

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