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Savoir Adore were spawned at NYU back in January 2006. Now creators Paul Hammer and Deidre Muro are about to release their long awaited debut LP ‘In The Wooded Forest’ after single releases ‘Bodies’ (video below) and latest single ‘We Talk Like Machines’. After a quite a while of courting Savoir Adore’s luscious loungy pop soundscapes, we managed to grab a few minutes with the band on the Shout4Music sofa.

Hello Savoir Adore. How are you all today?

We are all equally wonderful!

Each band member accompanied by their instrument and their current hairstyle please…

Deidre Muro – keyboards + lead vocals – Wavy Elf

Paul Hammer – guitar + vocals – Frizzy Puff

Tim McCoy – drums + vocals – Justin Bieber Lego Fop

Describe your bands sound in four words...

Sparkly, Imaginative, Beautiful and Bumpy!


A fact about the band that you feel it’s imperative we know…

Levon Helm is one hell of a drummer.

Tell us a lie about the band that you wish were true…

We only eat fruits and vegetables when on tour.

How was your SXSW experience this year?

Fun. Crazy. Exhausting. This was our first year as a showcasing band so it was very exciting, and our schedule was packed. We also got to see a lot of great bands – The Middle East, Tigercity, Dappled Cities, Body Language and Dawes. The Third Man Records pop-up store was also awesome. Hopefully we’ll get to do it all again next year!

The album that everyone should know about that was released last year?

Phoenix – ‘Wolfgang Amadeus Phoenix’

Bowery Ballroom or Music Hall of Williamsburg?

Can’t do it, both so good!!!

Pianos or the Cake Shop?

Cake Shop!!!

And finally, what can we expect from Savoir Adore in the coming six months?

We’re currently in the middle of our European Tour. Releasing ‘In The Wooded Forest’ worldwide August 16. New music and more shows in the fall!

Here’s the video for their first single ‘Bodies’;

YouTube Preview Image

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Record Label: Cantora Records
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This sharp-edged second single from Brooklyn based Savoir Adore conjures up images of supernatural sentiment and futuristic dreariness whilst preserving the tasty texture of this indie track. Brought together ‘by accident’, Deidre Muro and Paul Hammer create a sound born to be on a film with their newest release, ‘We Talk Like Machines’. The freely-played guitar is a powerful contrast to the tightly produced drum beats which appear electronic, meaning that it’s not just their voices that sound like machines. There is an overwhelming sense of mysticism throughout, supplied in part by Muro’s light quirky voice, and supported by the band’s use of strikingly unconventional lyrics, epitomised perfectly with the rhyming of ‘machines’ with ‘seems’. These outside of the box verses are made to work thanks to the shimmering voices of both Muro and Hammer. The track never takes off onto a second level as the background instruments seem to prophesise but this is for the best as the chilled out vibe that makes this song work is maintained. Released by the same label that helped launch MGMT, ‘We Talk Like Machines’ has all the makings of a huge cult hit.

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Preceding the headliner tonight at Shoreditch’s Old Blue Last were the rather promising Savoir Adore from Brooklyn, with their first ever show in the UK. They come across as a sort of a hybrid Peter, Bjorn & John and New Young Pony Club. Getting by with just guitar, keyboard, drums and pre-recorded backing, having left two of the band members in the States, I imagine their sound would be quite stronger with the full five members, but pretty good nonetheless.

Hundred In The Hands, were frankly rather poor. With just two members (Jason Friedman on guitar and Eleanore Evendell on keyboard and mixer) there seemed a serious lack of cohesion in their set. Though the two seemed to overlap at times, the effect was individual competing musicians (and egos) with an abrasive sound that didn’t quite match up – with a ‘more is less’ approach. With a single, relentless automated disco beat hammering through the entire set, it became difficult to pick out Evendells vocals, and much of a melody of sorts. Friedman sped through a complex and intense number of changes on lead guitar, and was outstanding on bass, but for the majority of tracks, the feedback on guitar was up some much, you good only really hear a wall of distortion.

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As from next week Shout4Music will be introducing our ‘Free Fridays’ which will give you the top free downloads of the week from an array of artists. So what better way to introduce this than with an extensive give away of free music from the pulse bands of present day. Please let us know your favourites. Here is their free musical offerings for your perusing;

1. CHAPEL CLUB – ‘The Shore’ (FREE DOWNLOAD OF THE WEEK)

Indie doom merchants flurry a crest fallen crescendo’s.

http://www.chapelclub.com

2. PACIFIC – ‘Venus Rising’

A healthy smattering of Kraut-disco is apparently the cornerstone to any staple diet.

http://www.sendspace.com/file/1tde8a

3. SAVOIR ADORE – ‘The Cave Of Good Secrets’

Who said B-sides were a thing of the past? Anyone for some verdant pop?

http://www.myspace.com/savoiradore

4. THE SWORD – ‘Tres Brujas’

Fresh from a support slot with Ozzy Osbourne, The Sword are one of the foundation of the revival of metal.

http://www.swordofdoom.com

5. CEE-LO GREEN – ‘ChamPain’

http://www.ceelogreen.co.uk/

Yes it’s the voice behind Gnarls Barkley!

6. RAY DAR VEES – ‘The Fear’ (EDITOR’S PICK)

http://www.myspace.com/raydarvees

Guitar-pop enthusiasts that ARE putting the fear of death up people.

7. THE LINES – ‘Circles’

http://www.wearethelines.com/

Wolverhampton quartet likened to The Rapture with different accents.

8. DJ FRESH – ‘Gold Dust (Flux Pavilion Remix)’

http://fairtilizer.com/track/126676

Fresh as…well gold dust of course.

9. CLOUD CONTROL – ‘Meditation Song’

http://www.myspace.com/cloudcontrol

Controlling the clouds from the Blue Mountains.

10. THE DRUMS – ‘Let’s Go Surfing (Raveonettes Remix)’

http://tiny.cc/ug7lw

Tastemakers darlings The Drums remixed by another sought after rabble.

11. JIM NOIR – ‘Melody Junction’ EP

http://www.jimnoir.com/

Psych-electro pop at a musical junction.

12. DAVID E SUGAR – ‘Renaissance Man Remix’ (RECOMMENDED)

http://fairtilizer.com/track/127043

Spiky pop vocalist and purveyor of everything electro.

13. DARKER MY LOVE – ‘Dear Author’

http://tiny.cc/g3wre

LA pysch-rock darken your heart for free.

14. EVERYTHING EVERYTHING – ‘MY KZ YR BF (Clock Opera Remix)’

http://soundcloud.com/everythingeverything/everything-everything-my-kz-yr-bf-clock-opera-remix

Everything’s brilliant about these electro monsters. And I do mean everything!

15. ALI LOVE – ‘Smoke And Mirrors (Villa Remix)’

http://tiny.cc/fsz2d

Pissing 80s music over you from all angles.

16. ORPHAN BOY – ‘Grand Piano’

http://www.orphan-boy.com/register.php

Sound like they’ve been adopted by the Twang.

17. BEAR DRIVER – ‘A Thousand Samurais’

http://soundcloud.com/stayloose/bear-driver-a-thousand-samurais

They’ve already set the Wolves on us. Now a thousand samurais. It’s Bear Driver.

18. MOBY – ‘Wait For Me (Berg Remix)’

http://drownedinsound.com/news/4139912-listen–download-moby-remix-from-fever-ray-producer

Does this man need an introduction?

19. BAND OF HORSES – ‘Factory’

http://www.bandofhorses.com/

A timely return.

20 – TEENAGERSINTOKYO – ‘End It Tonight (Workshop Remix)’

http://tiny.cc/ufaa1

Art-pop ensemble who make very delectable tunes.

21- KID ADRIFT – ‘Oxytocin’

http://www.myspace.com/kidadrift

Scottish electro-rock scientist

22. LITTLE FISH – ‘Baffled & Beat’

http://zaphod.uk.vvhp.net/reg/reg.pl?id=4904-126053

Rowdy, visceral post-punk duo.

23. SETH LAKEMAN

http://sethlakeman.co.uk/freedownload/

Laborious Folk troubadour’s always on the road.

24. CAITLIN ROSE – ‘Sinful Wishing’

http://www.namesrecords.com/downloads/sinfulwishingwell/

A thorny country rose with a beautiful voice

25. BURNS – ‘So Many Nights’

http://fairtilizer.com/track/108926

Purveyor of ‘European Sex Music’…

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Record Label: Cantora Records
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Savoir Adore have come along way since their accidental beginnings of early 2006. Starting out in Paul Hammer’s Upstate New York studio, the duo experimented, laid down an EP, amassed a strong folly of fans, soaked up the support and rinsed out some sounds bringing us to the release of their debut single ‘Bodies’. Their self proclaimed influence being that of imagination is evident through-out this track. The melodious synths and punchy bass lines encompass a sound reminiscent of bands such as the XX and St Vincent. This is a funky and slick number cleverly structured with subtle and obvious instrumental interchanges, soothing intertwining vocals, altogether grounded with a tribal drum beat. With an enchanting flow that rises and falls like a sound wave plotted onto graph paper Bodies is catchy and pleasing throughout. Hammer’s counter-part Deidre Muro was right; having a new collaboration, a diverse selection of instruments and time to experiment has bequeathed a pop-dynamic force and a togetherness that’ll be hard to break. They may have begun as a mistake, but the spontaneity within this group has certainly sprinkled spice into this first release.

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