Mounting and Positioning Tips for Contact Mics

Contact microphones, or contact mics, capture vibrations directly from solid surfaces rather than through the air. Because they pick up physical vibrations, how and where you mount them has a huge effect on the sound quality you get. Whether you’re using them for experimental sound design, acoustic instruments, or field recording, understanding proper placement makes the difference between clear, usable recordings and muddy, distorted ones.


Why Does Placement Matter for Contact Mics?

Unlike traditional microphones, contact mics are sensitive to direct vibrations. If mounted poorly, they might pick up excess handling noise, dampened tones, or unwanted resonance. Placement determines the tonal balance, the amount of detail captured, and how much background noise sneaks in.


General Mounting Guidelines

  • Choose a clean, flat surface for maximum contact.
  • Secure the mic firmly to avoid movement or rattling.
  • Experiment with different materials and surfaces; wood, metal, and glass each emphasize different frequencies.
  • Use removable adhesive putty, double-sided tape, or elastic bands for temporary mounting.

Tips for Musical Instruments

String Instruments

For guitars, violins, or cellos, try mounting the mic near the bridge. This spot captures a balance of resonance and string articulation. Placing it closer to the soundboard produces a warmer tone, while attaching it nearer to the neck picks up more string vibration and less body resonance.

Percussion

On drums, mount the contact mic near the rim for crisp attack or closer to the center for fuller resonance. With hand percussion like cajóns or bongos, placing the mic on the front surface emphasizes tone, while the sides highlight resonance.

Pianos

Experiment with different parts of the soundboard. Near the bass strings, you’ll capture deep resonance, while closer to the treble section provides bright clarity. Using multiple contact mics allows you to blend tones across registers.


Tips for Field Recording and Sound Design

  • Attach the mic to metal fences, poles, or rails to record low rumbles and resonances.
  • On glass, you’ll hear crisp, brittle textures.
  • Try water-safe housings to record vibrations underwater for unique sonic effects.
  • When capturing machinery or mechanical sounds, place the mic on flat panels or housing plates to minimize distortion.

Positioning Challenges and How to Solve Them

Excessive Resonance

Sometimes a contact mic can pick up too much resonance, leading to a ringing or overpowering sound. To reduce this, try mounting the mic closer to structural supports or stiffer areas of the surface. These spots absorb fewer unwanted vibrations and help control excessive ringing, giving you a cleaner and more balanced recording.

Handling Noise

Because contact mics are sensitive to vibrations, even small movements or bumps can introduce distracting handling noise. A simple fix is to use padding or shock-absorbing materials between the mic and the surface. Foam, rubber, or even layers of soft cloth can act as a buffer, isolating the mic from unwanted vibrations while still capturing the desired sound.

Uneven Tones

It’s common for certain placements to emphasize some frequencies while losing others, resulting in an uneven or unbalanced tone. The best solution is experimentation. Record test samples from multiple positions and compare the results before committing to a final setup. This approach ensures you capture the tonal qualities that fit your project best.


Final Thoughts

Mounting and positioning are just as important as the mic itself. A slight shift in placement can dramatically change the tone, resonance, and clarity of your recordings. The best approach is to experiment—test different surfaces, positions, and mounting methods until you find the sound you want. With patience, contact mics can open up a whole new world of sound textures and creative possibilities.


Frequently Asked Questions

Where is the best place to mount a contact mic?

Can you mount a contact mic permanently?

Do multiple contact mics improve recordings?

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