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At its heart, sound is all about communication. Whether it’s conveying emotion and art through music or narrating an even through speech, a good microphone is able to get your message across well. And nowhere is that more important than in interviews and newscasting. In today’s review of the Røde Reporter microphone, we take a look the company’s take on the handheld microphone, and whether it might be a good fit for your set up.
-56.0dB re 1 Volt/Pascal (1.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz
The classic image of the newscaster is of well-coiffed hair, a professional-looking blazer, and a handheld microphone. Technology has improved leaps and bounds within the last decade and a half, leading to new and innovative equipment for both film and sound. But that doesn’t mean that handheld microphones have fallen to the wayside— in fact, they’ve just gotten better.
Thanks to an expanded microphone market, there are tons of different ways to record a voice or an interview. You’ll see digital journalists and documentarians bringing around everything from microphone packs to lavalier mics to shotgun mics. And while these are all excellent options, none quite have the air of professionalism that the handheld microphone does.
The handheld microphone is an icon of newscasting and presentations. World famous microphone manufacturer Røde has its own spin on it in the Røde Reporter. We’ll take a look at its features below and see if this microphone holds up to the famous Røde standard.
While directional mics definitely have their advantages, especially when it comes to blocking out wind or background noise, they can be a bit tricky to use when speaking is involved. If there are more than two people involved in your shoot, then you sometimes need to move your directional mic between the two speakers in order to capture the interview in full.
The Røde Reporter does away with this by employing an omnidirectional polar pattern. This omnidirectional pattern allows this microphone to capture sound from all sides. No more switching awkwardly between two sources— simply place in the middle of interviewer and interviewee and you’re good to go.
One of the downsides to the omnidirectional polar pattern is that it can allow your mic to pick up on unnecessary sound like wind noise. This can be especially frustrating during an outdoor shoot, as getting the audio quality up to a studio standard might seem close to impossible.
There’s no such problem with the Røde Reporter, however. The Reporter is designed with a multi-layer mesh basket that shields your microphone from environmental noise. This reduces the need for bulky, distracting windshields, allowing for a cleaner look and better performance.
The Røde Reporter has a frequency response that is specifically tailored to the human voice. At 70 Hz to 15 kHz, human voices are clear and natural sounding, allowing the mic to capture detail and clarity for broadcast. 70 Hz also means that this mic isn’t going to be capturing low rumbling noises from traffic or some types of wind noise, which is especially useful given that most of your work with the Røde Reporter will probably be done outside.
When we talk about microphones, we often talk about the qualities that enable them to put in a good performance in recording. While that’s definitely central to the micing experience, one thing that we don’t usually bring up is optics.
Lots of mics do their work best behind the scenes or out of sight, but for handheld mics lots of that work is in front of the camera. It has a sleek build, with an ergonomic die-cast body that’ll hold up to the wear and tear of outside use. Røde also offers a 10-year extended warranty when you register your microphone, which is a good bonus on top of the Reporter’s other features.
While the Røde Reporter might not be the strongest microphone out there in terms of sound quality, it does the job well anyway. It’s designed for use in the field, and that’s where it shines. With a sleek yet durable design, the Reporter allows speakers to have a professional look in front of the camera without missing out on details.
Durability is never a question with Røde, and this is a microphone that’s designed to hold up to heavy use. With a price that isn’t too bad, especially compared with other specialized microphones in the industry, this is a pretty good option to add to any studio’s digital journalism kit.
Overall, the Røde Reporter puts in a good performance as a handheld microphone. Handheld microphones are all about performance in the great outdoors, and that’s where you can rest easy with Røde. Rugged build and sleek design has always been the company’s trademark, and you’re getting that same quality with the Røde Reporter. Find the best deals for the Røde Reporter Microphone here.